Fama Facing Trial: Words as Currency

Artistic-curatorial research project by Lisa Stuckey, 2020

Fama Facing Trial: Words as Currency is a multilingual work that contrasts (media-)architectures of law and jurisdiction with Fama, allegory of rumor, poetically responding to global “transitional justice” processes.

Installation views: kunst-dokumentation.com

 

Projection I: X-Y-Z

HD Video, b/w, 24 min
Concept, Editing: Lisa Stuckey
Camera: Manuel Carreón López
Drawing: Eva Kraler

 

Projection II: Fama Facing Trial

HD Video, b/w, 12 min, Multilingual EN/FR/GE/IT
Concept, Montage: Lisa Stuckey
Camera: Manuel Carreón López
Sound Design: Jakob Kolb

Fama’s Voices: Kelsey Baker, Julia Boog-Kaminski, Hannah Bruckmüller, Miles Russell

Text Fragments:
Vergil, Aeneis, 1952
Ovid, Metamorphosen, 1999
Leo Braudy, The Frenzy of Renown: Fame and Its History, 1986
Avital Ronell, Finitude’s Score: Essays for the End of the Millennium, 1994

Courtroom Drama Audio Footage:
Anatomy of a Murder, 1959
To Kill a Mockingbird, 1960
Judgment at Nuremberg, 1961

Film Permit – Thanks to:
Österreichisches Filmmuseum
Wiener Stadthalle
Schlosspark Grafenegg

Funding – Thanks to:
Sofie und Emanuel Fohn Stiftung

Videostills Fama Facing Trial

 

Objects

Conception: Lisa Stuckey, Manuel Carreón López
Metal Display: Wolfgang Holland
Collages: Lisa Stuckey
Text Fragments Collage: Vergil, Ovid, Braudy, Ronell


Leaflet [available here]

Text, Layout: Lisa Stuckey
Fonts: Fira Sans, Taviraj


Special Thanks

Constanze Ruhm for the invaluable intellectual exchange
Manuel Carreón López for conceptual dialogues and generous support
Barbara Feller & Karin Feller for support and advice
Hannah Bruckmüller for thinking together about Fama
Cornelia Vismann for inspiring this work through her writings

Richard Hilbert, Dorit Margreiter, Gilbert Marx, Marlies Pöschl, Richard Reisenberger-Littasy, and Axel Stockburger from the Academy

Current, Image, ArtLisa Stuckey