Posthuman Complicities

Research-based exhibition by Lisa Stuckey & Andrea Popelka, 2017

xhibit, exhibition-space Academy of Fine Arts Vienna

Posthuman Complicities presents artworks concerned with the Atlantic, the deep sea, and concepts of fluidity. The ocean features as a place of violence and resistance.

Artists: Viltė Bražiūnaitė & Tomas Sinkevičius, Joey Holder, Jennifer Mattes, NourbeSe Philip, The Otolith Group, Paul Maheke, Stefanie Schwarzwimmer, Wolfgang Tillmans

Curated by Lisa Stuckey & Andrea Popelka

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Curatorial, ArtLisa Stuckey
Four Siblings

Video-based research project by Lisa Stuckey into the 8mm & Super 8 film archive of Elisabeth S., 2016

A filmic archive of family celebrations, birthdays, farewells, journeys, pets, fishing, etc. What constitutes the perspective of the filmmaker? What eludes her sight?

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Image, ArtLisa Stuckey
ANTI PREDATOR ADAPTATION

Short film by Lisa Stuckey & Jessyca R. Hauser, 2016

ANTI PREDATOR ADAPTATION connects different spaces of representation — the galery, the cinema, and the natural history museum — to an arena of thought. Based on Andrea Fraser's video installation Projection (2008) defense mechanism attributed to animals are translated into the psyche.

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Image, ArtLisa Stuckey
Prisoners of Venus. A Video Exhibition

Exhibition convened by Lisa Stuckey & Anna Schachinger, 2016

Studio Building, Academy of Fine Arts Vienna

Looped cognitive objects (thoughts, images, sounds, actions), affective technologies, the miracle of destruction, rituals between document and enactment, sexy gadgets, the fetishized mouth, patterns overlaying the fragmentary montages.

Videos by: Minda Andrén, Isabella Mcguire, Jenny Palén, Emma Pryde, Jessyca R. Hauser, Anja Morell, Victor Lizana

Curated by Anna Schachinger & Lisa Stuckey

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Curatorial, ArtLisa Stuckey
Unclouded Blueness

Video-reenactment and research by Lisa Stuckey into the 8mm & Super 8 film archive of Elisabeth S., 2015

A filmic archive of family celebrations, birthdays, farewells, journeys, pets, fishing, etc. What constitutes the perspective of the filmmaker? What eludes her sight?

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Image, ArtLisa Stuckey