March 2022:
Lisa Stuckey is a panel speaker at the Max and Iris Stern International Symposium 14, Terror Contagion, at MAC Musée d’art contemporain de Montréal, together with Charles Stankievech, moderated by Emanuel Licha
Art critical text by Lisa Stuckey on the occasion of Clemens von Wedemeyer’s exhibition The Illusion of a Crowd (2022) at VOX — Centre de l’image contemporaine, Montreal
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Booklet published by the Academy of Fine Arts Vienna on the occasion of the Mentoring-Program 2020/2021.
With a Text by Attilia Fattori Franchini about the work of Lisa Stuckey
[MAKING-OF-THE-EVIDENCE: Media Aesthetic and Criminal Procedural Conceptions of Truth in Forensic Architecture]
Dezember 2021
Gastvortrag im Rahmen des Seminars Fake Truths, Abteilung Kunstgeschichte und Kunsttheorie der Universität für künstlerische und industrielle Gestaltung Linz, eingeladen von Jasmin Mersmann
The Austrian Federal Ministry of Education, Science and Research (BMBWF) awards the State Prize “Award of Excellence 2021“ to Lisa Stuckey for her doctoral thesis LAW ON TRIAL: Art and Jurisdiction in Investigations of Forensic Architecture and in Exemplary Contemporary Art.
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[COMPENSATORY INFRASTRUCTURES: Agencies and Think Tanks as Sites of Knowledge Production and Judgment Recommendation]
Dezember 2021
Gastvortrag von Lisa Stuckey, Veranstaltungsreihe Räume der Produktion von Wissen, Studio Art and Research am Institut für Kunst & Kunsttheorie der Universität zu Köln.
Mit einem künstlerischen Beitrag von Karina Nimmerfall
[On the Forensics of Intelligence Media and Their Archives]
September 2021
Panel auf der GfM-Tagung 2021 (Gesellschaft für Medienwissenschaft) Wissensökologie, Leopold-Franzens-Universität Innsbruck.
Vortragende: Sophia Gräfe, Sylvia Sasse, Lisa Stuckey
Moderation: Christian Quendler
Panelkonzeption: Lisa Stuckey
Art critical text by Lisa Stuckey
In der Ausstellung Sprachlosigkeit – Das laute Verstummen im Japanischen Palais wurden Gegenwartskünstler*innen und Aktivist*innen eingeladen, in multivokalen Dialog mit Sammlungsobjekten unterschiedlicher Provenienz zu treten. Was diese Ausstellung mit „dichterischem Denken“ im Sinne Hannah Arendts zu tun hat, beschreibt die Kulturwissenschaftlerin und Kunstkritikerin Lisa Stuckey.
In: Staatliche Kunstsammlungen Dresden: VOICES MAG, 17. September 2021.
September 2021
Panel discussion on the role of art criticism, in the framework of Verein K's residency program for international art critics Visiting Critics Vienna 2021
Participants: Gregor Quack, Lara Schoorl, Maja Ćirić, María Inés Plaza Lazo
Moderator: Lisa Stuckey
[BRINGS TOGETHER WHERE IT DEVIDES: Aesthetic-Epistemic Potentials of the Contemporary Arts between Evidence-Gathering, Propaganda, and Assembly]
Juli 2021
Panel von Lisa Stuckey, Christoph Chwatal und Sebastian Mühl – XI Kongress der DGÄ (Deutsche Gesellschaft für Ästhetik): Ästhetik und Erkenntnis, Züricher Hochschule der Künste
Exhibition review by Lisa Stuckey on Wordless — Falling Silent Loudly (2021) at Japanisches Palais
Published in: Arts of the Working Class on July 8, 2021
July 9–10, 2021
Symposium with accompanying workshops, scenography, and film installation.
Contributors: Michel Auder, Ronja Andersen & Marius Schwarz, Mirela Baciak, Claudia Barth & Hanne König, Christoph Chwatal, Diane Hillebrand, Elke Krasny, Sven Lütticken, Viktor Neumann, Karina Nimmerfall, Lisa Stuckey, Simon Strick, Karen van den Berg, Daniel Vollmer & Lou von der Heyde.
Convened by Christoph Chwatal & Lisa Stuckey
[1989 — Obeying Technology and Antinormative Methodology. Avital Ronell’s “The Telephone Book: Technology, Schizophrenia, Electric Speech” Reread]
Avital Ronell’s The Telephone Book: Technology, Schizophrenia, Electric Speech wiedergelesen.
Relektüre von Lisa Stuckey.
Publiziert in: Stay in touch
IFK_Vienna, Kunstuniversität Linz, 2021.
[PATIENT PATIENTS: Architecture as a Medium of Care and Advocacy in Investigations of Forensic Architecture]
Peer-reviewed Aufsatz von Lisa Stuckey.
Publiziert in: Zeitschrift für Medienwissenschaft (ZFM) 24 (2021): „Medien der Sorge“
Lisa Stuckey has been awarded a one-year Post-DocTrack grant from the Austrian Academy of Sciences (ÖAW).
During this period, she will be a postdoctoral research associate at Angewandte | University of Applied Arts Vienna.
December 2020
On the occasion of Lawrence Abu Hamdan’s exhibition Green Coconuts and Other Inadmissible Evidence at Secession, Vienna
The Prize for Scientific Work of the Academy of Fine Arts Vienna was awarded to Lisa Stuckey for her doctoral thesis LAW ON TRIAL: Art and Jurisdiction in Investigations of Forensic Architecture and in Exemplary Contemporary Art (2020)
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Essay by Lisa Stuckey on the work of Karina Nimmerfall.
Published in: Camera Austria International 152/2020
For the academic year 2019|2020, Lisa Stuckey has been awarded one of the appreciation prizes of the Academy of Fine Arts Vienna
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PhD-dissertation by Lisa Stuckey, passed with distinction in 2020 and awarded the Academy’s Prize for Scientific Work.
Doctorate of Philosophy, Institute for Art Theory and Cultural Studies, Academy of Fine Arts Vienna